Lists

7 Deadly Sins of SFF Worldbuilding

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This post originally appeared at Spellbound Scribes.

Writing science fiction and fantasy is fun, and in my opinion, world-building is the bestest most funnest part. Whether you’re writing urban, historical, or alt-world fantasy, or a science fiction set in a galaxy far far away, world-building is a crucial part of the story-telling process. The world (or universe!) you create must be complex and multi-layered; it must be a place your characters operate in and interact with; and it must set the stage for your plot. It’s no easy task, and there are countless pitfalls at every stage of the process of creating a world.

Read to jump in? Here are my top cliches and tropes to avoid, listed in no particular order.

Basing your other world TOO much on Earth

This is one of the biggest and easiest traps to fall into. Earth’s history and many cultures are far-reaching and complex, and it can be tempting to borrow elements whole-sale without bothering to do much work creatively. Think of how many famous fantasy worlds resemble Medieval-era Earth completely, right on down to the rampant sexism and casual racism (*cough* Westeros *cough*). There’s nothing wrong with using our world’s history and cultures to inspire your made-up world, but make sure it doesn’t become a lazy short-cut. If there’s sexism or lack of diversity in your world, you need a better reason than “that’s how things were back then.” You’re writing fantasy, not historical fiction. Get creative!

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Monster Mash Part III: Vampires

That's what friends are for!

That’s what friends are for!

Black clouds scud across the moon, nearly full. The chill breeze has a little…bite to it. A tap-tapping on the window startles you out of your slumber. Perhaps it is only a tree branch, shaking in the wind. Or perhaps it is something else? Someone else?

Pop culture may have remade vampires into sexy, brooding vegetarians, but Halloween reminds us that while vampires might be fangtastic, and know how to have a bloody good time, they are ultimately denizens of the night who enjoy violence and murder. So let’s sink out teeth into literature’s creepiest vampires…

1. Carmilla, Carmilla

Beautiful, languid, and mysterious, Carmilla insinuates herself into the lives of innocent young women, one at a time. Her mercurial moods and unsettling sexual advances distract her prey from her exotic tastes: the catlike monster that visits them in their nightmares and drinks of their blood is really her. Eventually, each girl wastes away and dies, leaving Carmilla free to find a new female companion. Best friends forever…or until you die.

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Monster Mash Part II: Witches

Bellatrix, complete with meth teeth.

Bellatrix, complete with meth teeth.

A dank fog creeps between trees that reach with skeletal claws towards a darkening sky. Brittle leaves clatter together in a chill wind that moans over chimney-tops and hammers at windows well-shuttered against the night. Are those bats that flit across the moon and cast shadows over unlit thresholds? Or something worse? Hold each other tightly and keep your doors barred, children, for something wicked this way comes.* In no particular order I present some of the scariest literary witches. *Author’s note: I am well aware that not all witches have warts or fly on broomsticks, and (to quote Xander Harris) “witches they were persecuted. Wicca good and love the earth and women power and I’ll be over here.” In the spirit of Hallowe’en I am choosing to ignore this fact. 1. Bellatrix Lestrange, Harry Potter Series Voldemort’s right hand woman and a die-hard Death Eater, Bellatrix is deeply evil. Sent to Azkaban for torturing Neville Longbottom’s parents until they went permanently insane, Bellatrix is also responsible for the curse that kills Sirius Black, her cousin and Harry’s godfather. Dumbledore describes her as “…dear Bellatrix, who likes to play with her food before eating it.” Yikes. read more…

Monster Mash Part I: Ghosts

"Revenge my murder most foul!"

“Revenge my murder most foul!”

The end of October approaches–the days grow colder and darker and the leaves twist and scurry, pushed and pulled by chill breezes. But is it only the wind that taps against our windows and creeps beneath our locked doors? Or is it something more sinister, something that lurks in shadows and darkens our dreams?

With Hallowe’en less than a week away, I thought I’d tackle some of the creepier monsters in myth and legend, starting today with ghosts. The spirits of the dead are known to creep closer as November approaches, waiting for that time when the veil is thin enough for them to go wailing out into the night, bemoaning lives wasted and loves lost. With no further ado, here are six of the creepiest ghosts in literature.

1. King Hamlet, Hamlet

“Murder most foul!” Shakespeare employed ghosts as a device in more than one of his plays, but the ghost of Hamlet’s murdered father is by far the creepiest. He wanders purgatory with blood trickling from his ear, reliving his murder and demanding revenge. Later, he haunts his traitorous wife’s closet wearing only a nightgown. *shudder*

2. The Headless Horseman, The Legend of Sleepy Hollow

Supposedly a Hessian soldier hired to suppress the American Revolution who was beheaded by an errant cannonball. Every night, astride a demonic steed, the headless specter gallops through the streets of Sleepy Hollow with his severed head lashed to the pommel of his saddle. And beware to those who cross his path–he might subject you to the same fate that ended his life.

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Ten Things About My Writing

Inspired by the super cool Tara Sim, who posted ten quirky things about her writing process. As a creative who usually works totally isolated from the real world, it’s easy to forget that my weird processes are, well, weird. I can’t explain it, but each of these bizarre habits makes it possible for me to create the way I do!

1. I am a notebook hoarder. At any given time, I have anywhere from three to seven notebooks in general rotation, filled with notes and snippets and half-baked ideas and sketches and names. And while they vary significantly in size, the notebooks are almost all black.

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#PitchWars Mentee Blog Hop!

Oh! Hello there! I am delighted to be participating in Brenda Drake’s fantastic Pitch Wars contest this year, and figured I ought to throw my bio out there as part of the Mentee blog hop! If you have no interest in learning more about me, or for some reason really hate obnoxious amounts of GIFs, well, you might want to move along.

First off, I’m Lyra! (Yes, it’s my real name, and yes, the Golden Compass books were based entirely on my life.) I’m 26, and live in the Best City in America, aka Boston.

I’ve been writing since a very young age. My mom recently unearthed a short story, written and illustrated by eight-year-old moi, about a farmer tying chickens to pigs in order to prove the old adage “when pigs fly.” In 5th grade, I wrote a novel about a warrior princess named Jade and her trusty unicorn steed. My stories have since become slightly more sophisticated.

I’m pretty bad at Twitter. Like, I still don’t really get it?

I read. A lot. My worst nightmare is people asking me what my favorite book/author is–that question has no answer. I love fantasy first and foremost, but I’ll read just about anything. The last book I cried over: Leigh Bardugo’s Ruin and Rising. The last literary book I read: Donna Tartt’s The Goldfinch. Book I’m itching to get my paws on: Sarah Rees Brennan’s Unmade.

I graduated from the University of Florida. With a major in Political Science and a minor in English. I once took a class called “Victorian Vampires” from a Romanian professor named Dragan who wore only black. (You can’t make this stuff up.)

I play the piano, sing, paint, and do calligraphy. My husband says I belong in an Austen novel since I’m such an “accomplished young lady.”

I am a fangirl. Full stop. I belong to more fandoms than I care to name. Supernatural, Doctor Who, BtVS, Battlestar Galactica, GoT…the list goes on. And on. I have no shame. What can I say, I love to squeeeee!

When I’ve had a few glasses of wine, I start to sound reeeaalll Southern. But that’s okay–there’s something to be said for growing up in the South.

And that’s me in a nutshell!

Be sure to head over to Dannie Morin’s blog to check out the other Mentee bios!

5 Favorite Literary Fathers

Being a father ain’t easy, and it’s nigh-on impossible to pin down the archetype of a great dad. But, literature has certainly tried.

As a follow-up to my Literary Mothers post, I thought I’d do a corresponding post about literary dads just in time for Father’s Day on Sunday. Literary fathers certainly run the gamut when it comes to character: they can be heroes or villains, role models or examples of how not to be, loving or distant, protective or abusive. But the men on my list all share one thing in common: they love their children, and want what’s best for them in this wild, complicated world.

And so, with no further ado (and in no particular order), here are my top 5 literary dads!

Joe GargeryGreat Expectations by Charles Dickens

Joe Gargery, played in a BBC miniseries by Shaun Dooley

Joe Gargery, played in a BBC
miniseries by Shaun Dooley

Although technically Pip’s brother-in-law, Joe Gargery is the closest thing the boy has to a father.  Joe is passive, and often downtrodden by his overbearing wife, but he is also kind and loving and adores Pip as his own. He gives Pip much-needed affection, passes him extra food under the table, and when Mrs. Joe is on a rampage, he tries to protect Pip from her verbal and physical abuse. He loves and supports Pip unconditionally, even when Pip inherits a mysterious fortune, moves to London, and becomes an imperious, pretentious, unbearable ass. Now that’s what I call a good father!

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4 Fairy Tales I’d Rather See Adapted

Maleficent. Image belongs to Disney.

Angelina Jolie as Maleficent.
Image belongs to Disney.

Unless you’ve made yourself a nice, cozy home beneath a rock somewhere, you’ll know that the last few years have witnessed a veritable explosion of TV and film-based adaptations of classic fairy tales. ABC’s Once Upon a Time indiscriminately mashes together every fairy-tale character ever into one small town. Mirror Mirror and Snow White and the Huntsman both attempted to rejuvenate the Snow White story. Beauty and the Beast, on the CW, is a modern retelling of the classic “beauty is only skin deep” narrative.  And most recently, Maleficent seeks to rehabilitate the titular villain from Sleeping Beauty.

But for the most part, all of these shows start where the Disney versions left off. Well, I’ve got news for you, folks: Disney’s fairy tale mythology is pretty different than the original versions of most fairy tales. The collected folk stories of the Grimm brothers, Charles Perrault, and Hans Christian Andersen often ended in misery, tragedy, and violence. So, in the spirit of contrarianism, I thought I’d put together a list of all the creep-tastic original versions of fairy tales that I’d rather see adapted to the big screen than yet another Disney-fied mush-fest.

Bluebeard

THOSE EYES, THOUGH.

THOSE EYES, THOUGH.

Although no one knows what became of Bluebeard’s previous wives, he somehow entices a young woman to marry him. He gives her the keys to all the rooms in his castle, including one small room which he adamantly forbids her from ever entering for any reason (bad move). Predictably, the moment Mr. Bluebeard goes out of town his young wife heads straight for the forbidden room, only to find it awash in blood and the carcasses of Bluebeard’s former wives hanging from hooks in the ceiling.

The Hollywood adaptation of this classic boy-meets-girl boy-loses-girl romcom will star George Clooney as our wise-cracking anti-hero and Scarlett Johansson as his headstrong wife.

read more…

5 Favorite Literary Mothers

Oh, hello there! I just finished a classic novel featuring a pretty awesome mom character, so even though I’m a few days late for Mother’s Day, I thought I’d put together a list of the literary mothers who, in my opinion, embody great maternal instincts.

As James Joyce once wrote, “Whatever else is unsure in this stinking dunghill of a world a mother’s love is not.” And that is true for all of the women on this list: they love their children. Some of these women are kind and nurturing, some of these women are fierce and protective, and some of them are difficult and dramatic, but they all share one important role: when it comes right down to it, they’d do anything and everything for their children.

Margaret March aka Marmee, Little Women by Louisa May Alcott

Marmee

Marmee, portrayed by Susan Sarandon

Although Marmee can come across as somewhat saccharine to a mature reader, to a young reader the March girls’ sweet mother embodies everything a mother ought to be. She nurtures and cares for her gaggle of girls while her husband is away fighting in the Civil War, with little money and few resources. She shapes her girls’ educations around her own strong moral code, and unlike some mothers on this list, never encourages them to marry for money. And all this without a frown or unkind word! Patience, thy name is Marmee.

Mrs Lancaster, The Fault in Our Stars by John Green

Hazel doesn’t always have the kindest thoughts about her mom; Mrs Lancaster is kind of the definition of a helicopter parent. But can you blame her? Her only daughter is slowly dying of cancer. She has given up nearly everything else in her life to become a stay-at-home mom for Hazel, taking care of all the medical details while also acting as emotional and social support for her ailing daughter. Mrs Lancaster goes out of her way to make celebrations big, to encourage Hazel to make the most of each day, and to be unafraid when facing the short time she has left. Go Mrs L!

Mrs Bennet, Pride & Prejudice by Jane Austen

“Moooom! You’re embarrassing me!”

Garrulous, self-absorbed and socially inept, Mrs Bennet wants nothing more than to see all five of her daughters married off to men with at least five thousands pounds a year. She spends a good portion of the book whinging, kvetching, and generally getting on everyone’s nerves, but beneath Austen’s humorous and somewhat insulting characterization is a mother deeply anxious for her children’s futures. If only she could realize that all her plotting is doing more harm than good!

Topaz, I Capture the Castle by Dodie Smith

Although technically a stepmother to Cassandra, Rose, and Thomas, Topaz is artistic and kind and competent and hard-working and a little bit mad. Her favorite pastime may be communing with nature while wearing nothing but a pair of wellies, but she also goes to bat for the Mortmain girls time and again, counting pennies and sewing crinolines and dyeing old tea-gowns so that they might have a shot at a better future. And all this while putting up with Mr. Mortmain at his most ineffectual and Rose at her most noxious, in a crumbling, dripping ruin of a castle! Phew! Go Topaz!

Molly WeasleyHarry Potter series by J K Rowling

“Not my daughter, you bitch!”

Molly Weasley ought to be sainted: she raised seven children in a rambling, magical house with barely any money and no help from her absent-minded dolt of a husband. And when she meets orphan Harry on Platform 9 3/4, she wastes no time in taking him under her already extended wing. When she discovers Harry won’t receive any gifts at the holidays, Molly knits Harry one of her famous sweaters, and continues to send one every year afterward. But aside from being a generous surrogate mom to Harry, Molly is also a staunch defender of good, a fearsome opponent in battle, and a furious protector of all her children.

Who are your favorite literary moms? Share your thoughts in the comments below!

Literary Love Triangles

Bestill my heart...

Bestill my heart…

Whether I’m reading, writing, or watching, I love a good romance. The angst, the anticipation, the passion; the alchemy of love is both mystery and motivation.

That being said, when romance is the only focus of a book or movie, it doesn’t do much for me. I need my romance to be solidly couched in a quality plot involving well-rounded characters with believable motivations. So when I read through the last few chapters of my manuscript today and realized with a jolt that I’d accidentally written the beginnings of a love triangle (oops!) I got a little nervous. I love a good love triangle as much as the next girl, but they can be tricky to pull off, especially since they can seem a little old hat if you’re not careful.

So, I thought I’d turn to my favorite literary love triangles and think about what aspects make them work…and which aspects I might want to avoid. (Mild spoilers follow, but I promise not to ruin any endings.)

Wickham, Lizzy, Darcy, from Pride & Prejudice, by Jane Austen

And then this happened.

Elizabeth Bennett usually has a sensible head on her shoulders, but when handsome, rakish, and charming George Wickham saunters into her life, she believes every lying word that comes out of his mouth. The caddish Wickham worms his way into her affections by telling tall tales about Mr. Darcy, which Lizzy is quick to believe because of her pre-formed prejudices about the snobbish aristocrat. Although the triangle is resolved fairly quickly, it generates the perfect amount of mayhem and hand-wringing in the characters’ lives.

Kathy, Tommy, Ruth, from Never Let Me Go, by Kazuo Ishiguro

The complicated love triangle begins when these children, doomed from birth, are young students at the idyllic Hailsham school. Kathy and Tommy’s intimate and potent connection cannot be denied, yet it’s Ruth who winds up in the tumultuous long-term relationship with Tommy. Later, she regrets keeping her friends apart, but love may not be enough to save Kath and Tommy from their looming fates.

Snape, Lily, James, from Harry Potter, by J K Rowling

*sob*

We finally get the full story of suspicious Potions professor Snape’s ill-fated love story in The Deathly Hallows, when Snape gives Harry his dying memories after being bitten by Voldemort’s pet snake. Although mistrusted by Harry and his friends throughout their years at Hogwarts, the revelation of Snape’s true motivations was poignant and heartbreaking. He loved Lily Evans so strongly and deeply that upon learning of her and his rival James’ murder at the hand of Voldemort he dedicated his life to protecting their only son.

He tried to do the right thing, all for a love that he would never have. Oh god, and his Patronus was a doe. I’m actually crying right now just thinking about it.

Rhett, Scarlett, Ashley, from Gone With the Wind, by Margaret Mitchell

Beautiful, vivacious and petulant Scarlett O’Hara is infatuated with dapper antebellum gentleman Ashley Wilkes in this famous civil-war epic, but Ashley is in love with kind, gentle Melanie. When  bad-boy Rhett Butler sweeps Scarlett off her feet, the two seem made for each other. But Scarlett just can’t let Ashley go, and soon Rhett just “doesn’t give a damn.”

Gale, Katniss, Peeta, from The Hunger Games, by Suzanne Collins

“Wait, I have to pick?!?”

Baker vs. Hunter. Unflagging, unconditional love vs. Childhood flame. Memories of a shared horror vs. The promise of a vengeful future. Who will our steely-eyed heroine Katniss Everdeen choose? Peeta Mellarck, whose gentle demeanor belies his fierce love? Or angry Gale Hawthorne, who might choose a revolution over romance? No spoilers, but no lies: I was totally Team Peeta!

Naoko, Toru, Midori, from Norwegian Wood, by Haruki Murakami

Quiet, serious university student Toru Watanabe is in love with emotionally fragile Naoko, who voluntarily commits herself to a mountain asylum after the suicides of her sister and boyfriend. But when Toru meets unusual and vivacious Midori, who runs a bookstore to support her dying father, the two develop feelings for each other. Toru doesn’t want to abandon troubled Naoko, but can he make a decision before he alienates and hurts both girls?

Will, Tessa, Jem, from The Infernal Devices, by Cassandra Clare

Clockwork Love Triangle

I’ll be honest, this fantastical Victorian-era love triangle kept me up at night. When shapeshifter Tessa moves to London, she falls in with a group of demon-hunting Shadowhunters and quickly develops feelings for two handsome young men: fiery, caustic, and misunderstood Will, who insists on throwing himself in danger given the least provocation; and kind, artistic and sensitive Jem, who just happens to be dying of a slow and painful malady. Dying dying. Oh, and did I mention that the two boys are best friends and blood brothers, bound to protect and serve each other till death do them part? One of those love triangles where you feel guilty for picking a team…

Do you have a favorite literary love triangle? What did you love about it? Leave your thoughts in the comment section below!