character

The Query Conundrum

All done! What's next?

All done! What’s next?

For those of you who aren’t super familiar with the publishing industry, here’s the way one goes about getting a novel traditionally published: One, write a book. Two, find yourself a talented literary agent with connections to plenty of editors and publishers. Three, cry yourself to sleep every night until your agent lands you a book deal. Voila! New York Times bestseller list, here we come!

Now, if you aren’t particularly good at picking up on internet sarcasm, I’ll let you in on a little secret: that process isn’t as easy as it sounds. And even if you’ve written a book (or two…or three) and polished it until it prances and tosses its clever little head like a well-groomed show pony, you still have to find yourself a literary agent. That’s where the dreaded query letter comes in.

A query letter is basically a single page letter from a completely unknown author to a very busy literary agent who receives approximately one bajillion query letters every day. The letter must hook the agent’s attention, then quickly sum up the main characters in the novel, what they want, how they intend to get it, who or what is standing in their way, and what will happen if they don’t succeed. The query must deftly encapsulate not only the central conflict of the novel, but also display world-building, character development, and reflect the tone and voice of the book. Finally, it must be personable, professional, and interesting. All in just about 250 words. Sound like fun?

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O Time, Thy Mirrors

The passing of time always seems thinner, somehow, this time of year. More malleable, perhaps. As though the tense intervals of the infinite cycle relax, soften, and waver as if in the soft light of a flickering fire. Yes–life seems firelit, this time of year, and the shadows lengthen and recede unpredictably in the tenuous brightness of the passage of time.

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Are My Characters Too Real?

Today I read a clever essay by Chuck Palahniuk (author of Choke, Fight Club, and many other gems of modern literature) called 13 Writing Tips. As the title suggests, the essay deals with thirteen of the things Mr. Palahniuk finds most useful when writing, revising, and reading his own work. I found the essay engaging and constructive, but it wasn’t until I reached Number Eight that I really started to think about how the tips applied to my own writing.

“If you need more freedom around the story, draft to draft,” writes Mr. Palahniuk, “change the character names. Characters aren’t real, and they aren’t you. By arbitrarily changing their names, you get the distance you need to really torture a character. Or worse, delete a character, if that’s what the story really needs. “

I read that suggestion and physically reeled, a bit. Change my characters’ names, Chuck? Delete  my characters? Surely you jest!

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