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Lyra Selene, Author of Amber & Dusk.

Lyra Selene is the author of forthcoming novel Amber & Dusk (Scholastic 2018).

The Query Conundrum

October 16, 2013 By Lyra Selene Leave a Comment

All done! What's next?

All done! What’s next?

For those of you who aren’t super familiar with the publishing industry, here’s the way one goes about getting a novel traditionally published: One, write a book. Two, find yourself a talented literary agent with connections to plenty of editors and publishers. Three, cry yourself to sleep every night until your agent lands you a book deal. Voila! New York Times bestseller list, here we come!

Now, if you aren’t particularly good at picking up on internet sarcasm, I’ll let you in on a little secret: that process isn’t as easy as it sounds. And even if you’ve written a book (or two…or three) and polished it until it prances and tosses its clever little head like a well-groomed show pony, you still have to find yourself a literary agent. That’s where the dreaded query letter comes in.

A query letter is basically a single page letter from a completely unknown author to a very busy literary agent who receives approximately one bajillion query letters every day. The letter must hook the agent’s attention, then quickly sum up the main characters in the novel, what they want, how they intend to get it, who or what is standing in their way, and what will happen if they don’t succeed. The query must deftly encapsulate not only the central conflict of the novel, but also display world-building, character development, and reflect the tone and voice of the book. Finally, it must be personable, professional, and interesting. All in just about 250 words. Sound like fun?

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Filed Under: Writing Tagged With: character, conflict, literary agent, lyra selene, novelist, query letter, tone, writing

Sum of All Parts

September 9, 2013 By Lyra Selene 1 Comment

Boy, you're gonna carry that weight.

Boy, you’re gonna carry that weight.

A few days ago my mom sent me a link to a version of The Beatles’ Abbey Road with the vocal tracks completely isolated. Being a lifelong Beatles enthusiast, I was excited and curious to hear what the band’s final album sounded like sans musical instruments. I put it on this morning as I was making my coffee, and allowed the three part harmonies to wash over me. It’s definitely an interesting experience to hear very familiar songs sung without the usual accompaniment of guitar and bass and keyboard. I found myself focusing on the way the harmonies built on each other, and how the different tenors of the singers’ voices blended and complemented each other. But as the final song ended, I couldn’t help thinking to myself how much better I liked the original version, instruments included.

There’s a very, very famous quote that, although commonly attributed to Aristotle, actually originated with Gestalt psychologist Kurt Koffka. I’m sure you’ve heard it many times before: “The whole is more than the sum of its parts.” This is an integral concept to Gestalt psychology, in that our perception of any whole exists as an independent entity from all of its parts perceived individually. The sum is not necessarily greater, or better, but it does exist as other than the sum of its parts. A house is more than the bricks, mortar, timber and metal that went into its construction. A year is more than all of its days added together.

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Filed Under: Métro, Boulot, Dodo, Uncategorized, Writing Tagged With: a capella, abbey road, beatles, imagery, lyra selene, sum of all parts, tone, vocals, whole

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